| Författare |
Titel |
År |
Kristoffer Noheden
|
Modern Minotaurs: Surrealism, Myth, and Magic in the 1930s
|
2022
|
Louise Wallenberg
|
Lesbian Desire, Misandry, and Porno Violence in the Fashion Film, 2009-2012
|
2022
|
Marie Tengroth Ulväng
|
Bondhustrun blir husmoder och gör rent hus. Hem och huslighetsideal i Härjedalen ca 1850–1900
|
2021
|
Greta Gober,
Øystein Gullvåg Holter,
Lotta Snickare
|
Hvem publiserer hva? Hvordan kjønn påvirker publiseringsgrad
|
2021
|
Ylva Elvin-Nowak,
Greta Gober,
Lotta Snickare
|
Fra unntak til norm – å utvikle resiliens i et nettverk
|
2021
|
Kristoffer Noheden
|
Marvelous Montage: Surrealism and Film
|
2021
|
Kristoffer Noheden
|
Surrealist Cinema in the Anthropocene: Nelly Kaplan, Jan Švankmajer, and the Revolt of Animals
|
2021
|
John Sundholm
|
History in the Making: Minor Immigrant Film Studies as Memory Activism
|
2021
|
Kristoffer Noheden
|
Film
|
2021
|
Kristoffer Noheden
|
Nature, Mechanically Reproduced: Surrealist Film and Photograpy Between the Wars
|
2021
|
Maria Jansson,
Louise Wallenberg
|
Negotiating motherhood in Sweden: On and Off Screen
|
2021
|
Marie Tengroth Ulväng
|
"En såffa något kostbar": Snickarna, möblerna och hushållen i västra Härjedalen 1780-1870
|
2021
|
John Sundholm
|
The Time of Our Lives
|
2021
|
Andreas Widholm
|
Dramatiska och utmattande: Nio månader av Corona-nyheter i sociala medier
|
2021
|
John Sundholm
|
Finland Returning to War on Screen: The Unknown Soldier of 2017
|
2021
|
Nadi Tofighian
|
In Search of "The Edison Biograph Company": Film History through Philippine Archives
|
2021
|
Ester Pollack
|
Medierna och brottsjournalistiken
|
2021
|
Sigurd Allern,
Ester Pollack
|
Svängdörrarnas förlovade land: Lobbyismens betydelse för klassamhällets eliter
|
2021
|
Nete Nørgaard Kristensen,
Anna Roosvall
|
Cultural Communication as Political Communication
|
2021
|
Sigurd Allern,
Mark Black–Ørsten,
Anu Kantola,
et al.
|
Development, trends and challenges in Nordic political journalism
|
2021
|
Jörgen Rahm-Skågeby
|
We interrupt this program: on the cultural techniques of ’technical difficulties’
|
2021
|
Kristoffer Noheden
|
Magic Language, Esoteric Nature: Rikki Ducornet’s Surrealist Ecology
|
2021
|
Paula von Wachenfeldt
|
Rational Follies. Fashion, Luxury and Credit in Eighteenth-Century Paris: Fashion, Luxury and Credit in Eighteenth-Century Paris
|
2021
|
Kristoffer Noheden
|
Handsken i labyrintens mitt: Nadja och den dokumentära surrealismen
|
2020
|
Anna Roosvall,
Matthew Tegelberg
|
Introduction to climate justice communication
|
2020
|
Anna Roosvall,
Matthew Tegelberg
|
The importance of the matters, geographies, and mediations of justice
|
2020
|
Malin Wahlberg
|
Dokumentära spår
|
2020
|
Maaret Koskinen
|
”Hur Rolf blev Lassgård. En skådespelares persona och den svenska självbilden i närhistoriskt perspektiv”
|
2020
|
Ester Pollack
|
Brottslighet och namnpublicering
|
2020
|
Greta Gober
|
With Eyes Wide Open: Gender Equality in the Polish Film Industry
|
2020
|
Louise Wallenberg
|
Facing the Queer Migrant in Swedish Noir
|
2020
|
Ester Appelgren,
Andreas Widholm
|
Myten om datajournalistik
|
2020
|
Maaret Koskinen
|
“Anticipating Adaptation and Tracing the (In)Visible: David Lagercrantz’ The Girl in the Spider’s Web as Implicit Film Script”
|
2020
|
Louise Wallenberg
|
Men in Boots: On Spectacular Masculinity and Desublimation
|
2020
|
Doron Galili
|
“A More Participatory Culture” An Afterword to the Hebrew edition and a conversation with Henry Jenkins
|
2020
|
Florencia Enghel,
Anna Roosvall,
Matthew Tegelberg
|
Media and climate migration: Transnational and local reporting on vulnerable island communities
|
2020
|
Maria Jansson,
Louise Wallenberg
|
Experiencing Male Dominance in Swedish Film Production
|
2020
|
Malin Wahlberg
|
Memory, history, and forgetting: Knowledge production and commemoration in the films by Susana de Sousa Dias
|
2020
|
Miyase Christensen
|
Cosmopolitanism in the Anthropocene: -
|
2020
|
Caroline Lindroth,
Carl Mikael Carlsson,
Marie Tengroth Ulväng,
et al.
|
Domböcker
|
2020
|
Örjan Kardell,
Jonas Lindström,
Marie Tengroth Ulväng
|
Platsen, tiden, människorna
|
2020
|
Anja Hirdman
|
Digital Sociality: Groups and the emotional imprint of algorithmic patterns
|
2019
|
Joel Frykholm
|
George Kleine and the Institutional Film Exchange: An Experiment in Nontheatrical Film Distribution, 1921–1929
|
2019
|
Joel Frykholm,
Marina L. Dahlquist
|
Introduction
|
2019
|
Mattias Ekman
|
Anti-Immigrant Sentiments and Mobilization on the Internet.
|
2019
|
Elizabeth Castaldo Lundén
|
Användningen av digitala arkiv inom humaniora
|
2019
|
Kim Khavar Fahlstedt
|
Charlie Chan’s Last Mystery, or, the Transcultural Disappearance of Warner Oland
|
2019
|
Louise Wallenberg
|
Let us roam the night together: Articulation and Representation in Tongues Untied and Moonlight
|
2019
|
Mattias Ekman
|
Journalistiken och nyhetskällorna
|
2019
|
Torkild Thanem,
Louise Wallenberg
|
’One should always be able to do something’: Social Engineering and Organization in the Family Politics of Alva Myrdal
|
2019
|
Maaret Koskinen
|
Ingmar Bergman - minne, arkiv, arkeologi
|
2019
|
Anja Hirdman
|
Kön, källor och ämnen i nyhetsjournalistiken
|
2019
|
Anna Roosvall,
Andreas Widholm
|
Allt mer tolkande journalistik: Subjektivitet, åsikter och känslor i nyhetsmedierna
|
2019
|
Malin Wahlberg
|
Passageraren, eller hur jag tycker det är att resa
|
2019
|
Maaret Koskinen
|
Fil(m)osofiska valfrändskaper. Eric M. Nilsson och Lars Gyllensten
|
2019
|
Liudmila Voronova,
Andreas Widholm
|
Broadcasting Against the Grain: The Contradictory Roles of RT in Global Media Age
|
2019
|
Sigurd Allern,
Ester Pollack
|
New Nordic Noir: Political Scandals as Drama and Media Hunts
|
2019
|
Louise Wallenberg
|
Костюмы у Бергмана: очевидный гендер, неясный пол
|
2019
|
Kristoffer Noheden
|
Myth
|
2019
|
Kristoffer Noheden
|
Magic
|
2019
|
Kristoffer Noheden
|
Expo Aleby, 1949: Wilhelm Freddie, Gösta Kriland, and Surrealist Magic Art in Stockholm
|
2019
|
Anna Sofia Rossholm
|
Moving Mountains: Cinema, Deep Time, and Climate Change in Hanna Ljungh’s I am Mountain, to Measure Impermanence
|
2018
|
John Fullerton
|
‘Lumière Agents in Mexico: The “Body” of Film as a Late-Nineteenth-Century Discourse’
|
2018
|
Anna Sofia Rossholm,
Beate Schirrmacher
|
Witnessing AIDS in the Archive
|
2018
|
Tindra Thor
|
Anonymous Urban Disruptions: Exploring Banksy as Artistic Activist and Social Critic
|
2018
|
Kristina Widestedt
|
Breaking news from Petrograd, 1917: Remediated revolution as popular history.
|
2018
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Cultural journalism
|
2018
|
Andrea Kollnitz,
Louise Wallenberg
|
Introduction
|
2018
|
Louise Wallenberg
|
Ménilmontant: Time, Space and Urbanity
|
2018
|
Kristoffer Noheden
|
Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes
|
2018
|
Erika Theissen Walukiewicz
|
"You have access to all of it." Assessing Documentary Participation Through an Ethics of Care
|
2018
|
Ester Pollack
|
Vilken roll spelar medierna i valet?: 8 lektioner i val. Politik och demokrati inför valet 2018
|
2018
|
Andreas Widholm
|
Mediekritik driver Twitteraktivitet: Om journalistik som resurs för politisk kommunikation i sociala medier
|
2018
|
Louise Wallenberg
|
Becoming-Animal, Becoming Free: Re-Reading the Animalistic in Fashion Photography
|
2018
|
Gunnar Nygren,
Andreas Widholm
|
Changing Norms Concerning Verification: Towards a relative truth in online news?
|
2018
|
Kristoffer Noheden
|
Begärsfantomer: Vítězslav Nezval, Valérie och det underbara
|
2018
|
Marie Tengroth Ulväng
|
Hushåll, arbete och försörjning i Lillhärdal 1766-1830
|
2018
|
Kristoffer Noheden
|
The Grail and the Bees: Leonora Carrington’s Quest for Human–Animal Coexistence
|
2017
|
Torkild Thanem,
Louise Wallenberg
|
Beyond Fashion’s Alluring Surface
|
2017
|
Louise Wallenberg
|
Mago’s Magic: Fashioning Sexual (In)difference in Bergman’s 1960s Cinema
|
2017
|
Eugenia Paulicelli,
Louise Wallenberg
|
Introduction
|
2017
|
Kristoffer Noheden
|
Esotericism and Surrealist Cinema: Wilhelm Freddie's Films and the New Myth
|
2017
|
Maria Nilsson,
Ingela Wadbring
|
Not Good Enough?: Amateur Images in the Regular News Flow of Print and Online Newspapers
|
2017
|
Louise Wallenberg
|
Den offentliga människan: Harry Schein som motstridig celebritet
|
2017
|
Nadi Tofighian
|
Distributing Scandinavia: Nordisk Film in Asia
|
2017
|
Tindra Thor
|
‘The Sounds of Silence’: Writing Urban Spaces
|
2017
|
Mattias Ekman,
Andreas Widholm
|
Performative Intimacies and Political Celebritisation
|
2017
|
Heiki Hellman,
Leif-Ove Larsen,
Silje Nygaard,
et al.
|
What Is Cultural News Good For? Finnish, Norwegian, and Swedish cultural journalism in public service organisations
|
2017
|
Magnus Danielson
|
Paternalism, samhällsgranskning och filantropi: Mediala modeller för engagemang i välfärdsfrågan
|
2017
|
Kristina Riegert,
Anna Roosvall
|
Cultural Journalism as a Contribution to Democratic Discourse in Sweden
|
2017
|
Nete Nørgaard Kristensen,
Anna Roosvall
|
Editorial and Cultural Debates in Danish and Swedish Newspapers: Understanding the terror attacks in Paris and Copenhagen in early 2015
|
2017
|
Torkild Thanem,
Louise Wallenberg
|
What's wrong with queer?: Between Queer Dialogue and Separatist Safe Spaces
|
2017
|
Mattias Ekman
|
You Tube Fascism: Visual Activism of the Extreme Right.
|
2017
|
Mattias Ekman
|
Theories of video activism and fascism.
|
2017
|
Alexa Robertson
|
Narrative Analysis
|
2017
|
Marie Tengroth Ulväng
|
Count and calculate. The probate inventory and the historical wardrobe: The probate inventory and the historical wardrobe
|
2017
|
Sue Collins,
Kristina Riegert
|
"Politainment"
|
2016
|
Timothy Hutchings
|
Augmented Graves and Virtual Bibles: Digital Media and Material Religion
|
2016
|
Timothy Hutchings,
Joanne McKenzie
|
Introduction: The Body of St Cuthbert
|
2016
|
Anna Roosvall
|
Journalism, Climate Change, Justice and Solidarity: Editorializing the IPCC AR5
|
2016
|
Amanda Lagerkvist
|
Embodiments of Memory: Toward and Existential Approach to the Culture of Connectivity
|
2016
|
Anu Koivunen
|
Pillow Talk, Swedish style: Att Älska/To Love (Jörn Donner 1964)
|
2016
|
Patrick Vonderau
|
On the Relation of Advertising to Moving Pictures
|
2016
|
Patrick Vonderau
|
Kim Novak and Morgan Stairways: Thinking about the Theory and History of the Tie-in
|
2016
|
Terje Lindblom,
Maria Nilsson,
Ingela Wadbring
|
Visuella nyhetsmedier
|
2016
|
Kristina Widestedt
|
A Visible Presence: Royal Events, Media Images and Popular Spectatorship in Oscarian Sweden
|
2016
|
Chiara Faggella
|
Itinerari di moda fiorentina fra il dopoguerra e la fine degli anni sessanta: dal guardaroba alla memoria storica
|
2016
|
Andreas Widholm
|
Global Online News from a Russian Viewpoint: RT and the Conflict in Ukraine
|
2016
|
Andreas Widholm
|
Mindre politik och mer dramatik?: Nyheter i public service och kommersiella medieföretag 2007 och 2014
|
2016
|
Andreas Widholm
|
Svenskarnas konsumtion av utländska nyhetsmedier
|
2016
|
Andreas Widholm
|
Russia Today: En rysk röst i ett globalt medielandskap
|
2016
|
Anna Roosvall,
Andreas Widholm
|
Kulturjournalistik: Journalistik om kultur
|
2016
|
Kristoffer Noheden
|
Transformation of the Everyday: Material Magic in Jan Švankmajer’s Art and Films
|
2016
|
Maaret Koskinen
|
”P(owe)R, Sex, and Mad Men Swedish Style”
|
2016
|
Maaret Koskinen
|
”The Capital of Scandinavia? Imaginary Cinescapes and the art of creating an appetite for Nordic cinematic spaces”
|
2016
|
Gunilla Hultén,
Antonia Wiklund
|
Perfect profession: Swedish journalism students, their teachers and educational goals
|
2016
|
Anna Sofia Rossholm
|
Film och litteratur i sampel: Hugo Cabret
|
2016
|
Anna Roosvall,
Matthew Tegelberg
|
Natural Ecology Meets Media Ecology: Indigenous Climate Change Activists’ Views on Nature and Media
|
2016
|
Gunilla Hultén
|
Den sårbara mångfalden
|
2016
|
Anna Roosvall
|
Journalistik, rättvisa och rättigheter
|
2016
|
Anna Roosvall
|
Media and Nationalism
|
2016
|
Sigurd Allern,
Ester Pollack
|
Journalistik som kollektiv nytta
|
2016
|
Anna Roosvall,
Andreas Widholm
|
Journalistik om kultur
|
2016
|
Anna Sofia Rossholm
|
Film och litteratur i svenskundervisningen: Exemplet Sommaren med Monika
|
2016
|
Ester Pollack
|
Mediedrev och politiska skandaler
|
2016
|
John Sundholm
|
Chance and Play or, Marvellous Machines: A Forgotten Swedish Film Avant-garde
|
2016
|
Sigurd Allern,
Ester Pollack
|
Nordic Political Scandals: frequency, types and consequences
|
2016
|
Gert Jan Harkema,
Amanda du Preez
|
'Edison’s Ideal' and the Visual Technics of the Sublime
|
2016
|
Chris Baumann
|
Sweden: Circumvention and the Quest for Privacy
|
2016
|
Christian Christensen
|
Images that last? Iraq videos from YouTube to WikiLeaks
|
2016
|
Christian Christensen
|
WikiLeaks and “Indirect” Media Reform
|
2016
|
Christian Christensen
|
All politics is local: Anonymous and the Steubenville/Maryville rape cases
|
2016
|
Mattias Ekman
|
The relevance of Marx's theory of primitive accumulation for media and communication research
|
2016
|
Anja Hirdman
|
Femininitet som spektakel: Avsmak, affekt och kvinnliga kroppar
|
2015
|
Lina Rahm,
Jörgen Rahm-Skågeby
|
Everyday Expertise: instructional videos on YouTube
|
2015
|
Louise Wallenberg
|
Schein som mediemänniska: att försöka definiera massmedia, och att definieras av dem
|
2015
|
Anu Koivunen
|
The Promise of Touch: turns to affect in feminist film theory
|
2015
|
Sigurd Allern
|
Pr-byråene og politikken
|
2015
|
Sigurd Allern
|
Politisk journalistikk på norsk: sjangrer og maktrelasjoner
|
2015
|
Maria Nilsson
|
Människor tycker om bilder
|
2015
|
Maria Nilsson
|
Bildjournalistik som innehåll
|
2015
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Kulturjournalistik
|
2015
|
Ester Pollack,
Anna Roosvall
|
Rom-register och brott på topp: Rapportering om romer i Dagens Nyheter och Aftonbladet 1995-2014
|
2015
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Kulturjournalistik
|
2015
|
Ester Pollack
|
Personalized scandalization: Sensationalizing trivial conflicts?
|
2015
|
Anna Roosvall,
Kristina Widestedt
|
Medier och intersektionalitet
|
2015
|
Yvonne Andersson
|
Med känslan i kroppen: Om maskulinitet, femininitet och muskulinitet i träningsbloggar
|
2015
|
Kristina Widestedt
|
"En skål för den stora och mäktiga ryska nationen!": Wilhelm och Maria Pavlovna
|
2015
|
Gert Jan Harkema,
et al.,
Annelies van Noortwijk,
et al.
|
Netherlands
|
2015
|
Torkild Thanem,
Louise Wallenberg
|
Monstrous Ethics
|
2015
|
Paula von Wachenfeldt
|
"I lyxens tjänst: borgerliga värderingar och ideal i den moderna tiden"
|
2015
|
Louise Wallenberg
|
Representationer av lyx, begär och klass i svensk film, 1910-1940
|
2015
|
Sigurd Allern
|
Foreign Correspondents in Norway: Covering a Small, Rich Country near the Arctic
|
2015
|
Lauren Downing Peters
|
Fedora
|
2015
|
Lauren Downing Peters,
Anya Kurennaya
|
Effortless Consumption: The "Anthropologie" of a Brand-Focused Online Shopping Community
|
2015
|
Guido Kirsten
|
Programmatic and Proto-Reflexive Realism: Feuillade’s La tare (1911) and Erreur tragique (1913)
|
2015
|
John Fullerton
|
‘Picturing Mexico in still and moving images, ca. 1870-1925: strategies for articulating space, and spectatorship in early Mexican actuality film
|
2015
|
James Losey
|
Towards Information Interdependence
|
2014
|
James Losey
|
How Activism and the Internet Can Change Policy
|
2014
|
Louise Wallenberg
|
Ménilmontant: kön, klass och det moderna
|
2014
|
Andrea Kollnitz,
Louise Wallenberg
|
Introduktion
|
2014
|
Karin Becker,
Robert Kautsky,
Andreas Widholm
|
Watching football in the fan park: Mediatization, spectatorship and fan identity
|
2014
|
Jessica Gustafsson,
Andreas Widholm
|
Foreign correspondents in Sweden: Professional challanges and strategies of domestication
|
2014
|
Jörgen Rahm-Skågeby
|
Kassetten, radion och hemdatorn
|
2014
|
Marta Mund,
Jonathan Rozenkrantz
|
Alltid redan en aktivitet: åskådarskap och estetiska lärprocesser
|
2014
|
Alexa Robertson
|
Euromedia: Integration and Cultural Diversity in a Changing Media Landscape
|
2014
|
Anna Roosvall
|
Foreign News: A Flagship of the Nation in an Age of Globalization
|
2014
|
Daniel Wiegand
|
'Performed live and talking. No kinematograph.' Amateur performances of tableaux vivants and local film exhibition in Germany around 1900.
|
2014
|
Mattias Ekman
|
Birikimi Anlamak: Marx’ın İlkel Birikim Kuramı’nın Medya ve İletişim Çalışmaları Açısından Önemi.
|
2014
|
Ingrid Stigsdotter
|
Allvarsamma lekar: Receptionen av Play och "lilla hjärtat"
|
2014
|
Gunilla Hultén
|
A vulnerable diversity: Perspectives on cultural diversity polices in Swedish public service media
|
2014
|
Florencia Enghel
|
Children’s well-being and communication
|
2014
|
Marie Tengroth Ulväng
|
Textilbadet: Kläder och konsumtion
|
2014
|
Anja Hirdman
|
Ideal manlighet i Harlequinromanen
|
2013
|
Tove Thorslund
|
A Matter of Quality: Americanism and Public Service in Early Swedish Television
|
2013
|
John Sundholm
|
Finland at War on Screen since 1989. Prosthetic Memory and Affirmative Historiography
|
2013
|
John Sundholm
|
Stories of National and Transnational Memory. Renegotiating the Finnish Conception of Moral Witness and National Victimhood
|
2013
|
Florencia Enghel
|
Communication, development and social change: future agendas
|
2013
|
Sascha D. Meinrath,
Benjamin Lennett,
James Losey
|
Internet Freedom, Nuanced Digital Divide, and the Internet Craftsman
|
2013
|
Paula von Wachenfeldt
|
"The Language of Luxury in Eighteenth-Century France"
|
2013
|
Louise Wallenberg
|
Trans Identities as Effect and Otherness
|
2013
|
Amanda Lagerkvist
|
Confused and Mixed Shanghai: På turer i det retromoderna
|
2013
|
Louise Wallenberg
|
Seeing It for What It Is: Fashion Photography, Phallocentrism, and Feminist Critique
|
2013
|
Kristoffer Noheden
|
Den befläckade avlelsen: Det monstruöst heliga i Andrzej Żuławskis Possession
|
2013
|
Marie Tengroth Ulväng
|
Kattunspår: Böndernas kattuner i Härjedalen 1750-1850
|
2013
|
Marie Tengroth Ulväng
|
Skinnkläder höll omänskligt länge: Klädekonomi och klädkultur i Härjedalen under 1800-talet.
|
2013
|
Anna Roosvall
|
Misframing the Messenger: Scales of Justice, Traditional Ecological Knowledge and Media Coverage of Arctic Indigenous Peoples and Climate Change
|
2012
|
Grady Johnson,
James Losey
|
Don't Censor Censorship: Why Transparency is Essential for Democratic Discourse
|
2012
|
Ingrid Stigsdotter
|
Moderna Malmö
|
2012
|
Alexa Robertson
|
Media Cultures and Cosmopolitan Connections
|
2012
|
Yvonne Andersson
|
Med Hitler som slagträ: Hitler och nazismen i nutida dagspress
|
2012
|
Yvonne Andersson
|
Bloggarna och döden
|
2012
|
Michael Westerlund
|
Att önska dö: Samtal om självmord på internet
|
2012
|
Joel Frykholm
|
Local Showmanship in the Early Feature Era: The Case of Stanley Mastbaum
|
2012
|
Sascha D. Meinrath,
James Losey,
Victor Pickard
|
Digital Feudalism: Enclosures and Erasures from Digital Rights Management to the Digital Divide
|
2011
|
John Sundholm
|
Detektivens blick och filmens minne: Parland i samtiden
|
2011
|
Malin Wahlberg
|
"The Trace": "Framing the Presence of the Past in Free Fall"
|
2011
|
John Sundholm
|
The Deterritorialization of Film
|
2011
|
Amanda Lagerkvist
|
Velvet and Violence: Performing the Mediatized Memory of Shanghai’s Futurity
|
2011
|
Karina Horsti,
Gunilla Hultén
|
In case of diversity: Dilemmas of sharing good practices across borders in European broadcasting
|
2011
|
