| Författare |
Titel |
År |
Kristina Riegert
|
Negotiating Boundaries in a Changing Media Ecosystem: The Case of Swedish Cultural Journalism
|
2021
|
Elizabeth Castaldo Lundén
|
Exploring Fashion as Communication: The search for a new fashion history against the grain
|
2020
|
Sigird Allern,
Ester Pollack
|
"Is something rotten" in the welfare states of Scandinavia?: Nordic scandals from a Shakespearean perspective
|
2020
|
Ester Appelgren,
Andreas Widholm
|
A softer kind of hard news?: Data journalism and the digital renewal of public service news in Sweden
|
2020
|
Maria Jansson,
Ingrid Stigsdotter,
Louise Wallenberg,
et al.
|
Studying Women in Swedish film production: methodological considerations
|
2020
|
Kristoffer Noheden
|
Against All Aristocracies: Surrealism, Anarchism, and Film
|
2020
|
Joel Frykholm
|
“The Not-So-Golden Age of Swedish Silent Cinema? Historiographies of Isepa (1926–1928).”
|
2020
|
Elizabeth Castaldo Lundén
|
Fearless Fashion: Rudi Gernreich.
|
2020
|
Joel Frykholm
|
Critical Thinking and the Humanities: A Case Study of Conceptualizations and Teaching Practices at the Section for Cinema Studies at Stockholm University
|
2020
|
John Sundholm
|
Filmaren Jan Bark: En mindre filmhistoria på 8 mm
|
2020
|
Maria Nilsson
|
Visualizing the Experience of Flight: Photojournalistic Portraits and Refugee Migration
|
2020
|
Sigurd Allern,
Ester Pollack
|
The Role of Think Tanks in the Swedish Political Landscape
|
2020
|
Ester Pollack
|
As the Holocaust escalated the Swedish press fell silent:: media and the normalisation of passivity and non-engagement in WWII Sweden
|
2020
|
Greta Gober
|
Gender and age inequalities in television and news production culture in Poland: Ethnography in a public broadcasting company.
|
2020
|
Miyase Christensen
|
Cosmopolitanism in the Antropocene (with a postscript on the Coronavirus): -
|
2020
|
Mattias Ekman
|
Social media racism: affective circulation and cultures of fear. A reply to Søren Mosgaard Andreasen
|
2020
|
Louise Wallenberg
|
Art, Life and the Fashion Museum: For A more Solidarian Exhibition Practice
|
2020
|
Mattias Ekman
|
Anti-immigration and racist discourse in social media.
|
2019
|
Malin Wahlberg
|
Med kameran som vapen och vittnesmål: Frihetskampen på SR/TV
|
2019
|
Jan Fredrik Hovden,
Kristina Riegert
|
Identity, Empathy and Argument:: Immigrants in Culture and Entertainment Journalism in the Scandinavian Press
|
2019
|
Ester Pollack
|
Sweden and the #Metoo movement
|
2019
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Abundance or crisis?: Transformations in the media ecology of Swedish cultural journalism over four decades
|
2019
|
Kioko Ireri, Njoki Chege, Joy Kibarabara & Don Bosco Onyalla,
Joy Kibarabara
|
Frame Analysis: Newspaper Coverage of Kenya's Oil Exploration in the Post-2012 Discovery Era
|
2019
|
Doron Galili
|
Book Review: “Bright Signals: A History of Color Television,” 32 (July 2019).
|
2019
|
Andreas Widholm
|
Transnational News Consumption and Digital Content Mobility: Insights from Sweden
|
2019
|
Kristina Riegert,
Andreas Widholm
|
The Difference Culture Makes: Comparing Swedish news and cultural journalism on the 2015 terrorist attacks in Paris
|
2019
|
Maria Nilsson
|
An Ethics of (Not) Showing: Citizen witnessing, Journalism and Visualizations of a Terror Attack
|
2019
|
Paula von Wachenfeldt
|
Communicating Seduction. Luxury fashion advertisements in video campaigns
|
2019
|
Malin Wahlberg
|
'Beyond the Witness:: Holocaust Representation and the Testimony of Images' Book Review
|
2019
|
Greta Gober,
Justyna Struzik
|
Feminist transnational diaspora in the making. The case of the #BlackProtest
|
2019
|
Paula von Wachenfeldt
|
The Mediation of Luxury Brands in Digital Storytelling
|
2019
|
Elizabeth Castaldo Lundén,
Chiara Faggella
|
Editorial Foreword
|
2019
|
Louise Wallenberg
|
Десятилетие вызовов и возможностей. Становление теории моды в Стокгольмском университете
|
2019
|
Maaret Koskinen
|
‘Time, memory and actors: Representation of ageing in recent Swedish feature film’
|
2019
|
Chiara Faggella
|
Reviews: Film, Fashion, and the 1960s, Eugenia Paulicelli, Drake Stutesman and Louise Wallenberg (eds) (2017)
|
2019
|
Jörgen Rahm-Skågeby
|
Critical incidents in everyday technology use: exploring digital breakdowns
|
2019
|
Kristoffer Noheden
|
Rikki Ducornet: botanikens alkemist
|
2018
|
Kristoffer Noheden
|
Anteckningar om surrealismens generaliserade omedvetna
|
2018
|
Jonathan Rozenkrantz
|
Das Autopticon: Videotherapie und/als Überwachung
|
2018
|
Anna Sofia Rossholm
|
The playfulness of Ingmar Bergman: Screenwriting from notebooks to screenplays
|
2018
|
Paula von Wachenfeldt
|
The Myth of Luxury in a Fashion World
|
2018
|
Lina Rahm,
Jörgen Rahm-Skågeby
|
What is Feminist Media Archaeology?
|
2018
|
Maaret Koskinen,
Ingrid Stigsdotter
|
"Real and Reel Stockholm – Representations of Stockholm in I-Media-Cities, and current issues in archival film access"
|
2018
|
Sigurd Allern,
Anu Kantola,
Ester Pollack,
et al.
|
The New Normal: Scandals as a Standard Feature of Political Life in Nordic Countries
|
2018
|
Jörgen Rahm-Skågeby
|
Imagined interaction: visualizing human-machine communication
|
2018
|
Jörgen Rahm-Skågeby
|
Crosscurrents in ‘micro’ marketing: home computers and media genealogy
|
2018
|
Jörgen Rahm-Skågeby
|
‘Well-behaved robots rarely make history’: coactive technologies and humanistic HCI
|
2018
|
Nadi Tofighian
|
Mapping ‘the whirligig of amusements’ in colonial Southeast Asia
|
2018
|
Kristoffer Noheden
|
Hypnotic Ecology: Environmental Melancholia in Lars von Trier’s Films
|
2018
|
Jono Van Belle
|
Athique, A.: Transnational audiences. Media reception on a global scale
|
2018
|
Chiara Faggella
|
Lifestyle and fashion in Mario Camerini’s romantic comedies Il Signor Max and I Grandi Magazzini
|
2018
|
Elizabeth Castaldo Lundén
|
Exploring the Intersections of Fashion, Film, and Media
|
2018
|
Elizabeth Castaldo Lundén
|
Introduction: Exploring the Intersections of Fashion, Film, and Media Studies
|
2018
|
Kristoffer Noheden
|
Animace proti antropocentrismu: Decentralizace člověka u Jana Švankmajera
|
2018
|
Alessandro Bucci,
Chiara Faggella
|
Parallel universes: Fashion studies education today
|
2018
|
Louise Wallenberg
|
A Decade of Challenges and Possibilities: Establishing Fashion Studies at Stockholm University
|
2018
|
Mattias Ekman
|
Anti-refugee Mobilization in Social Media: The Case of Soldiers of Odin.
|
2018
|
Anna Roosvall,
Andreas Widholm
|
The Transnationalism of Cultural Journalism in Sweden: Outlooks and Introspection in the Global Era
|
2018
|
Jono Van Belle
|
Book review: Screening the Sixties. Hollywood cinema and the politics of memory
|
2018
|
Sigurd Allern,
Ester Pollack
|
Disclosure of Scandinavian telecom companies' corruption in Uzbekistan: The role of investigate journalists
|
2018
|
Marie Tengroth Ulväng
|
Köpta klädesrockar och hemvävda schalar: Bondens och bondhustruns kläder i Härjedalen 1800-1900
|
2018
|
Gert Jan Harkema
|
Henri Grünkorn: een geschiedenis van spektakel op de kermis voor de ‘Electrische Kinematograaf’
|
2017
|
Kristoffer Noheden
|
Animating Imaginary Animals: Jan Švankmajer, Surrealism, and Dark Ecology
|
2017
|
LG Andersson,
John Sundholm
|
The Cultural Practice of Minor Cinema Archiving: The Case of Immigrant Filmmakers in Sweden
|
2017
|
Heiki Hellman,
Nete Nørgaard Kristensen,
Kristina Riegert
|
Cultural Mediators Seduced by Mad Men: How Cultural Journalists Legitimized a Quality TV Series in the Nordic Region
|
2017
|
Greta Gober
|
Imbalance and Glass Ceilings: Gendered aspects of the media landscape in the v4 reveal inequality is rife.
|
2017
|
Ester Pollack
|
Journalism as a public good: A Scandinavian perspective
|
2017
|
Astrid Gynnild,
Anne Hege Simonsen,
Maria Nilsson,
et al.
|
Introduction: Introduction to special issue on photojournalism and editorial processes
|
2017
|
Maria Nilsson
|
A Faster Kind of Photojournalism?: A Faster Kind of Photojournalism?: Image-Selection. Processes in a Swedish Newsroom
|
2017
|
Miyase Christensen,
Tindra Thor
|
The reciprocal city: Performing solidarity - Mediating space through street art and graffiti
|
2017
|
Greta Gober
|
Polarization in Poland. Commentary
|
2017
|
Mattias Ekman,
Andreas Widholm
|
Political communication in an age of visual connectivity: Exploring instagram practices among swedish politicians
|
2017
|
Malin Wahlberg
|
"Vietnam in transmission: Documentary film and solidarity programming in Swedish broadcasting culture (1967-72)"
|
2017
|
Kim Khavar Fahlstedt
|
The Cinematic Fauna of Bengt Berg
|
2017
|
Jono Van Belle
|
Re-conceptualizing Ingmar Bergman’s status as auteur du cinema
|
2017
|
Mariah Larsson,
Anna Sofia Rossholm
|
Documenting the Present, Processing the Past, Shaping Future Memory: The Face of AIDS Archive
|
2017
|
Chris Baumann
|
Eine kurze Geschichte des Scheiterns: Googles Nexus Q und die Grenzen von Streaming-Technologien
|
2017
|
Kristoffer Noheden
|
"Der Mechanismus der Korrespondenzen": André Breton, der Nachkriegssurrealismus und die Filmtheorie
|
2017
|
Eduard Cuelenaere,
Jono Van Belle
|
Changing love in ‘Scener ur ett Äktenskap’ (Ingmar Bergman, 1973)
|
2017
|
Nadi Tofighian
|
WFP: Isabel Acuña
|
2017
|
Anu Koivunen
|
#Sipilägate and the break-up of the political bromance – Crisis in the relationship between Finnish media and politicians
|
2017
|
Florencia Enghel
|
On the problematic matter of success in communication for social change
|
2017
|
Yvonne Andersson,
Amanda Lagerkvist
|
The Grand Interruption: Death Online and Mediated Lifelines of Shared Vulnerability
|
2017
|
Gert Jan Harkema
|
‘Move as if Alive’: The Kinematograph as Unstable Technology of Movement and its Impact on the Spectator
|
2017
|
Timothy Hutchings
|
Design and the Digital Bible: Persuasive Technology and Religious Reading
|
2017
|
Jono Van Belle
|
Book Review: Television and Romance: Studies, Observations and Interpretations
|
2017
|
Magnus Danielson
|
Mediet som hatets prefix
|
2017
|
Timothy Hutchings
|
"We are a United Humanity": Death, Emotion and Digital Media in the Church of Sweden
|
2017
|
Alexa Robertson
|
‘Was ist los? Zur Interpretation der Rolle der Medien während der arabischen Aufstrände’
|
2017
|
Anja Hirdman
|
Flesh-images.: Body shame and affective ambiguites in Celebrity gossip magazines
|
2017
|
Nadi Tofighian
|
Watching the astonishment of the native: Early audio-visual technology and colonial discourse
|
2017
|
Anna Roosvall
|
The mediated politics of place and people: Picturing the ‘contested place-making’ of Irish Travellers at Dale Farm
|
2017
|
Lauren Downing Peters
|
"Fashion Plus": Pose and the Plus-Size Body in Vogue, 1986-1988
|
2017
|
Jonathan Rozenkrantz
|
Analogue Video in the Age of Retrospectacle: Aesthetics, Technology, Subculture
|
2016
|
Jörgen Rahm-Skågeby
|
Im/possible desires: media temporalities and (post)human-technology relationships
|
2016
|
Patrick Vonderau
|
Hollywood-Montage: Theorie, Geschichte und Analyse des “Vorkapich-Effekts”
|
2016
|
Anna Elomäki ,
Johanna Kantola,
Anu Koivunen,
et al.
|
A battle about gender equality: affect, expertise and resistance in the strategic state
|
2016
|
Elizabeth Castaldo Lundén
|
Barbarella’s wardrobe: Exploring Jacques Fonteray’s intergalactic runway
|
2016
|
Anja Hirdman
|
Speaking through the flesh: Affective encounters, gazes and desire in Harlequin romances
|
2016
|
James Losey
|
From Critical Perspectives to Media Reform: A Review of Three Books
|
2016
|
Lauren Downing Peters
|
Exhibition Review: Stephen Burrows: When Fashion Danced
|
2016
|
LG Andersson,
John Sundholm
|
Beyond Accented and Exilic: Latin-American Minor Cinemas in Sweden, 1970-1990
|
2016
|
Lina Rahm,
Jörgen Rahm-Skågeby
|
Prepare for Monsters!: Governance by Popular Culture
|
2016
|
Anu Koivunen
|
Affective historiography: archival aesthetics and the temporalities of televisual nation-building
|
2016
|
Christian Christensen,
Bente Kalsnes,
Anders Olof Larsson
|
Elite Interaction: Public service broadcasters’ use of Twitter during national elections in Norway and Sweden
|
2016
|
Gert Jan Harkema
|
The new within the old, the old within the new: Transmediality and the introduction of the kinematograph in the case of ALADIN OU LA LAMPE MERVEILLEUSE (1898)
|
2016
|
Christian Christensen
|
The links that bind: WikiLeaks, Twitter, and the Julian Assange case
|
2016
|
Lauren Downing Peters
|
Film Review: The First Monday in May
|
2016
|
Andreas Widholm
|
Tracing Online News in Motion: Time and duration in the study of liquid journalism
|
2016
|
Andreas Widholm
|
The sociality of public space broadcasting during media events
|
2016
|
Sascha D. Meinrath,
James Losey
|
In Defense of The Digital Craftsperson
|
2016
|
Patrick Vonderau
|
The Video Bubble: Multi-Channel Networks and the Transformation of Youtube
|
2016
|
Lauren Downing Peters
|
Exhibition Review: Beyond Measure: Fashion and the Plus-Size* Woman
|
2016
|
Olivia Eriksson
|
Re-enacting pre-existing image collections in Akram Zaatari’s 'Unfolding'
|
2016
|
Florencia Enghel
|
Understanding the Donor-Driven Practice of Development Communication: From Media Engagement to a Politics of Mediation
|
2016
|
Doron Galili
|
“Television in the Cinema Before 1939: An International Annotated Database” co-authored with Richard Koszarski
|
2016
|
Doron Galili
|
Public Television: Beginnings and Endings. Elihu Katz in conversation with Doron Galili
|
2016
|
Amanda Lagerkvist
|
Existential Media: Toward a Theorization of Digital Thrownness
|
2016
|
Lauren Downing Peters
|
Exhibition Review: Utopian Bodies: Fashion Looks Forward
|
2016
|
Jonathan Rozenkrantz
|
Expanded epistemologies: Animation meets live action in contemporary Swedish documentary film
|
2016
|
Nadi Tofighian
|
Moving pictures across colonial boundaries: The multiple nationalities of the American Biograph in Southeast Asia
|
2016
|
Gert Jan Harkema
|
Fantasia of Color in Early Cinema
|
2016
|
Emad Khazraee,
James Losey
|
Evolving repertoires: Digital media use in contentious politics
|
2016
|
Christian Christensen,
Anders Olof Larsson
|
From showroom to chat room SVT on social media during the 2014 Swedish elections
|
2016
|
Sigurd Allern,
Ester Pollack
|
Advocay Think Tanks as News Sources and Agenda Setters
|
2016
|
Lauren Downing Peters
|
Exhibition Review: Faking It: Originals, Copies and Counterfeits
|
2016
|
John Sundholm
|
The Memory Practices of Immigrant Film-Makers: Minor Cinemas and the Production of Locality
|
2016
|
Paula von Wachenfeldt
|
The Taste of the Good Life. Representations of Luxury in Swedish Media
|
2016
|
Torkild Thanem,
Louise Wallenberg
|
Just doing gender?: Transvestism and the Power of Underdoing Gender in Everyday Life and Work
|
2016
|
Jörgen Rahm-Skågeby
|
Media Futures: Premediation and the Politics of Performative Prototypes
|
2016
|
Allison Pullen,
Torkild Thanem,
Melissa Tyler,
et al.
|
Sexual Politics, Organizational Practices: Interrogating Queer Theory, Work and Organization
|
2016
|
Allison Pullen,
Torkild Thanem,
Melissa Tyler,
et al.
|
Postscript: Queer Endings/Queer beginnings
|
2016
|
Anna Roosvall
|
Religion, Globalization and Commodification in Online World News Slideshows: The Dis/Connection of Images and Texts
|
2016
|
Maaret Koskinen
|
”Reception, Circulation, Desire: Liv Ullmann and the Transnational Journeys of a Scandinavian Actress”
|
2016
|
Gunilla Hultén
|
Newsroom divides: Online news production, gender, and organization at DN.se.
|
2015
|
Anu Koivunen
|
Authorial self-fashioning in Jörn Donner's Naisenkuvia/Portraits of Women (1970)
|
2015
|
Tindra Thor
|
#banksyinstockholm: The Politics of Street Art and Spatiality
|
2015
|
Timothy Hutchings
|
E-Reading and the Christian Bible
|
2015
|
Lars Gustaf Andersson,
John Sundholm
|
Spaces of Becoming: The Stockholm Film Workshop as a Transnational Site of Film Production
|
2015
|
Anja Hirdman
|
The Passion of Mediated Shame: Affective reactivity and classed otherness in reality TV
|
2015
|
Maria Nilsson,
Ingela Wadbring
|
Not Good Enough?: Amateur Images in the Regular News Flow of Print and Online Newspapers
|
2015
|
James Losey
|
Surveillance of Communications: A Legitimization Crisis and the Need for Transparency
|
2015
|
Mattias Ekman,
Andreas Widholm
|
Politicians as Media Producers: Current trajectories in the relation between journalists and politicians in the age of social media
|
2015
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
The Political in Cultural Journalism: Fragmented interpretative communities in the digital age
|
2015
|
Karin Becker,
Andreas Widholm
|
Celebrating with the celebrities: Television in public space during two royal weddings
|
2015
|
Lauren Downing Peters
|
The Brooklyn Flea: A Model for Counter Consumption?
|
2015
|
Malin Wahlberg
|
Art film in prime time: Educational programming, cultural heritage and experimental images in early Swedish television
|
2015
|
Bo Florin
|
Across Boundaries – Strategies of Silence and Sound in Sjöström's A Lady to Love (1930)
|
2015
|
Doron Galili
|
“Skybooks: Skywide Projection and Media Mythology”: co-authored with Yuri Tsivian
|
2015
|
Doron Galili
|
“Tom Swift’s Three Inventions of Television: Technological Imaginary and Media History”
|
2015
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
The Political in Cultural Journalism: Fragmented Interpretative Communities in the Digital Age
|
2015
|
Greta Gober
|
Political parallelism and the case of women in management positions in public media in Poland: An ethnographic study
|
2015
|
Gert Jan Harkema
|
The beginnings of the cinema in England 1894–1901, volumes I–V (book review)
|
2015
|
Gert Jan Harkema
|
Hollywood legacies and Russian laughter: Le Giornate del Cinema Muto / Pordenone Silent Film Festival 2014
|
2015
|
Olivia Eriksson
|
Reaching out!: Activating space in the art of Olafur Eliasson
|
2015
|
Jörgen Rahm-Skågeby
|
The changing shape of sharing: digital materiality and moral economies
|
2015
|
Jono Van Belle
|
A cross-cultural approach to Brokeback Mountain (1997 & 2005).
|
2015
|
Louise Wallenberg
|
Traversing the Gender Binary: Exploring ‘New’ Scandinavian Trans Cinema
|
2015
|
Alexa Robertson
|
What's Going On?: Making sense of the role of the media in the Arab Uprisings
|
2015
|
Jörgen Rahm-Skågeby
|
Interpreting online discussions: connecting artefacts and experiences in user studies
|
2015
|
Florencia Enghel
|
Towards a Political Economy of Communication in Development?
|
2015
|
Amanda Lagerkvist
|
The Netlore of the Infinite: Death (and Beyond) in the Digital Memory Ecology
|
2015
|
Torkild Thanem,
Louise Wallenberg
|
What can bodies do?: For An Affective Ethics of Organizational Life
|
2015
|
Louise Wallenberg
|
Modefilm och mode på film under 1920-talet
|
2015
|
Mattias Ekman
|
Online Islamophobia and the politics of fear: manufacturing the green scare
|
2015
|
Kristina Riegert
|
Understanding Popular Arab Bloggers: From Public Spheres to Cultural Citizens
|
2015
|
Anna Roosvall,
Matthew Tegelberg
|
Media and the Geographies of Climate Justice: Indigenous Peoples, Nature and the Geopolitics of Climate Change
|
2015
|
Elizabeth Castaldo Lundén
|
Lo Squalo, le strategie di marketing della universal e la costruzione della ‘Jawsmania’
|
2015
|
Jörgen Rahm-Skågeby
|
The media archaeology of file sharing: broadcasting computer code to Swedish homes
|
2015
|
Christian Christensen
|
A decade of WikiLeaks: So what?
|
2015
|
Doron Galili
|
“Postmediales Wissen um 1900: Zur Medienarchäologie des Fernsehens”
|
2015
|
Elizabeth Castaldo Lundén
|
No Oscar for The Oscar?: Behind Hollywood’s Walk of Greed
|
2014
|
Alexa Robertson
|
Atlas Reports: Global Media Constructions of Crisis
|
2014
|
Mattias Ekman,
Andreas Widholm
|
Twitter and the celebritisation of politics
|
2014
|
Karin Becker,
Andreas Widholm
|
Being there from afar: The media event relocated to the public viewing area
|
2014
|
Lauren Downing Peters
|
Performing Vintage: The Cultivation and Dissemination of Vintage Sensibilities at the Brooklyn Flea
|
2014
|
Mattias Ekman
|
The dark side of online activism: Swedish right-wing extremist video activism on YouTube.
|
2014
|
Anna Roosvall
|
Beyond Dialogue: Exploring Solidarity as a Mode of Communication through a Debate on Readers’ Comments to Online News
|
2014
|
Jörgen Rahm-Skågeby
|
Useful, joyful, willful: thinking about types of play
|
2014
|
Chris Baumann
|
Shadow Economies and Digital Distribution
|
2014
|
Kristoffer Noheden
|
Leonora Carrington, Surrealism, and Initiation: Symbolic Death and Rebirth in Little Francis and Down Below
|
2014
|
James Losey
|
The Anti-Counterfeiting Trade Agreement and European Civil Society: A Case Study on Networked Advocacy
|
2014
|
Kim Khavar Fahlstedt
|
Marketing Rebellion: "The Chinese Revolution" Reconsidered
|
2014
|
Amanda Lagerkvist
|
A Quest for Communitas: Rethinking Mediated Collective Memory Existentially
|
2014
|
Lina Rahm,
Jörgen Rahm-Skågeby
|
Making change: produsing hybrid learning products
|
2014
|
Lauren Downing Peters
|
You Are What You Wear: How How Fashion Figures in Fat Identity Formation
|
2014
|
Lauren Downing Peters
|
Exhibition Review: David Bowie Is...
|
2014
|
Anna Roosvall
|
The Identity Politics of World News: Oneness, Particularity, Identity and Status in Online Slideshows
|
2014
|
Sigurd Allern,
Ester Pollack
|
Criticism of the police in the news: Discourses and frames in the news media’s coverage of the Norwegian Bureau for the Investigation of Police Affairs
|
2014
|
Christian Christensen
|
WikiLeaks and the afterlife of collateral murder
|
2014
|
Christian Christensen,
Birgitta Jonsdottir
|
WikiLeaks, transparency and privacy: A discussion with Birgitta Jónsdóttir
|
2014
|
Amanda Lagerkvist
|
New Memory Cultures and Death: Existential Security in the Digital memory Ecology
|
2013
|
Magnus Danielson
|
"Shaming the Devil! Performative Shame in Investigative Tv-journalism
|
2013
|
Anu Koivunen
|
Uncanny motions: facing death, morphing life
|
2013
|
Jörgen Rahm-Skågeby
|
Dismantling the guitar hero?: a case of prodused parody and disarmed subversion
|
2013
|
Ingrid Stigsdotter
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Bokrecension: Heritage Film Audiences
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2013
|
Ingrid Stigsdotter
|
"When to push stop or play": The Swedish Reception of Ruben Östlund’s Play (2011)
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2013
|
Amanda Lagerkvist
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Communicating the Rhythms of Retromodernity: Confused and Mixed Shanghai
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2013
|
Andreas Widholm
|
Great Escapes from the Past: Memory and Identity in European Transnational Television News
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2013
|
Kristoffer Noheden
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The Imagination of Touch: Surrealist Tactility in the Films of Jan Švankmajer
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2013
|
