Author |
Title |
Year |
Jan Fredrik Hovden,
Kristina Riegert
|
Identity, Empathy and Argument:: Immigrants in Culture and Entertainment Journalism in the Scandinavian Press
|
2019
|
Ester Pollack
|
Sweden and the #Metoo movement
|
2019
|
Elizabeth Castaldo Lundén
|
Användningen av digitala arkiv inom humaniora
|
2019
|
Elizabeth Castaldo Lundén
|
Fearless Fashion: Rudi Gernreich.
|
2019
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Abundance or crisis?: Transformations in the media ecology of Swedish cultural journalism over four decades
|
2019
|
Sigurd Allern,
Ester Pollack
|
Källkritik! Journalistik i lögnens tid
|
2019
|
Doron Galili
|
Book Review: “Bright Signals: A History of Color Television,” 32 (July 2019).
|
2019
|
Andreas Widholm
|
Transnational News Consumption and Digital Content Mobility: Insights from Sweden
|
2019
|
Kristina Riegert,
Andreas Widholm
|
The Difference Culture Makes: Comparing Swedish news and cultural journalism on the 2015 terrorist attacks in Paris
|
2019
|
Maaret Koskinen
|
Ingmar Bergman - minne, arkiv, arkeologi
|
2019
|
Anna Roosvall,
Andreas Widholm
|
Allt mer tolkande journalistik: Subjektivitet, åsikter och känslor i nyhetsmedierna
|
2019
|
Miyase Christensen,
Annika E. Nilsson
|
Arctic Geopolitics, Media and Power
|
2019
|
Maria Nilsson
|
An Ethics of (Not) Showing: Citizen witnessing, Journalism and Visualizations of a Terror Attack
|
2019
|
Paula von Wachenfeldt
|
Communicating Seduction. Luxury fashion advertisements in video campaigns
|
2019
|
Malin Wahlberg
|
Passageraren, eller hur jag tycker det är att resa
|
2019
|
Maaret Koskinen
|
Fil(m)osofiska valfrändskaper. Eric M. Nilsson och Lars Gyllensten
|
2019
|
Malin Wahlberg
|
'Beyond the Witness:: Holocaust Representation and the Testimony of Images' Book Review
|
2019
|
Greta Gober,
Justyna Struzik
|
Feminist transnational diaspora in the making. The case of the #BlackProtest
|
2019
|
Paula von Wachenfeldt
|
The Mediation of Luxury Brands in Digital Storytelling
|
2019
|
Liudmila Voronova,
Andreas Widholm
|
Broadcasting Against the Grain: The Contradictory Roles of RT in Global Media Age
|
2019
|
Lars Gustaf Andersson,
John Sundholm
|
The Cultural Practice of Immigrant Filmmaking: Minor Immigrant Cinemas in Sweden 1950-1990
|
2019
|
Jonathan Rozenkrantz
|
Electronic Labyrinths: An Archaeology of Videographic Cinema
|
2019
|
Elizabeth Castaldo Lundén,
Chiara Faggella
|
Editorial Foreword
|
2019
|
Sigurd Allern,
Ester Pollack
|
New Nordic Noir: Political Scandals as Drama and Media Hunts
|
2019
|
Louise Wallenberg
|
Десятилетие вызовов и возможностей. Становление теории моды в Стокгольмском университете
|
2019
|
Maaret Koskinen
|
‘Time, memory and actors: Representation of ageing in recent Swedish feature film’
|
2019
|
Chiara Faggella
|
Reviews: Film, Fashion, and the 1960s, Eugenia Paulicelli, Drake Stutesman and Louise Wallenberg (eds) (2017)
|
2019
|
Jörgen Rahm-Skågeby
|
Critical incidents in everyday technology use: exploring digital breakdowns
|
2019
|
Kristoffer Noheden
|
Magic
|
2019
|
Kristoffer Noheden
|
Myth
|
2019
|
Kristoffer Noheden
|
Expo Aleby, 1949: Wilhelm Freddie, Gösta Kriland, and Surrealist Magic Art in Stockholm
|
2019
|
Greta Gober
|
Handbook on Working Towards Gender Equality in the Media: IAWRT and the Gender Mainstreaming Project.
|
2019
|
Chiara Faggella
|
"Not So Simple": Reassessing 1951, G.B. Giorgini and the launch of Italian fashion
|
2019
|
Kristoffer Noheden
|
Rikki Ducornet: botanikens alkemist
|
2018
|
Kristoffer Noheden
|
Anteckningar om surrealismens generaliserade omedvetna
|
2018
|
Jonathan Rozenkrantz
|
Das Autopticon: Videotherapie und/als Überwachung
|
2018
|
Anna Sofia Rossholm
|
The playfulness of Ingmar Bergman: Screenwriting from notebooks to screenplays
|
2018
|
Maaret Koskinen,
Ingrid Stigsdotter
|
Approaches to urban representations on film: a research overview
|
2018
|
Marina Dahlquist,
Doron Galili,
Jan Olsson,
et al.
|
Corporeality in Early Cinema: Viscera, Skin, and Physical Form
|
2018
|
Maaret Koskinen
|
Ofilmat, ospelat, outgivet: Ingmar Bergmans skrifter
|
2018
|
Greta Gober
|
Media institution through the prism of gender
|
2018
|
Paula von Wachenfeldt
|
The Myth of Luxury in a Fashion World
|
2018
|
Lina Rahm,
Jörgen Rahm-Skågeby
|
What is Feminist Media Archaeology?
|
2018
|
Anna Sofia Rossholm
|
Moving Mountains: Cinema, Deep Time, and Climate Change in Hanna Ljungh’s I am Mountain, to Measure Impermanence
|
2018
|
Maaret Koskinen,
Ingrid Stigsdotter
|
"Real and Reel Stockholm – Representations of Stockholm in I-Media-Cities, and current issues in archival film access"
|
2018
|
Ester Pollack
|
Snabbtänkt. Reflektioner från valet 2018 av ledande forskare: En rad politiska skandaler, men inget "avgörande ögonblick"
|
2018
|
Annika Wickman
|
Filmen i försvarets tjänst: Undervisningsfilm i svensk militär utbildning 1920–1939
|
2018
|
Tove Thorslund
|
Do You Have a TV?: Negotiating Swedish Public Service through 1950s Programming, "Americanization," and Domesticity
|
2018
|
Alexa Robertson
|
Screening Protest: Visual narratives of dissent across time, space and genre
|
2018
|
Sigurd Allern,
Anu Kantola,
Ester Pollack,
et al.
|
The New Normal: Scandals as a Standard Feature of Political Life in Nordic Countries
|
2018
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Cultural journalism
|
2018
|
Tindra Thor
|
Anonymous Urban Disruptions: Exploring Banksy as Artistic Activist and Social Critic
|
2018
|
Anna Sofia Rossholm,
Beate Schirrmacher
|
Witnessing AIDS in the Archive
|
2018
|
Kristina Widestedt
|
Breaking news from Petrograd, 1917: Remediated revolution as popular history.
|
2018
|
Jörgen Rahm-Skågeby
|
Imagined interaction: visualizing human-machine communication
|
2018
|
Jörgen Rahm-Skågeby
|
Crosscurrents in ‘micro’ marketing: home computers and media genealogy
|
2018
|
Andrea Kollnitz,
Louise Wallenberg
|
Introduction
|
2018
|
Jörgen Rahm-Skågeby
|
‘Well-behaved robots rarely make history’: coactive technologies and humanistic HCI
|
2018
|
Louise Wallenberg
|
Ménilmontant: Time, Space and Urbanity
|
2018
|
Andrea Kollnitz,
Louise Wallenberg
|
Fashion and Modernism
|
2018
|
Kristoffer Noheden
|
Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes
|
2018
|
Nadi Tofighian
|
Mapping ‘the whirligig of amusements’ in colonial Southeast Asia
|
2018
|
Erika Theissen Walukiewicz
|
"You have access to all of it." Assessing Documentary Participation Through an Ethics of Care
|
2018
|
Kristoffer Noheden
|
Hypnotic Ecology: Environmental Melancholia in Lars von Trier’s Films
|
2018
|
Ester Pollack
|
Vilken roll spelar medierna i valet?: 8 lektioner i val. Politik och demokrati inför valet 2018
|
2018
|
Andreas Widholm
|
Mediekritik driver Twitteraktivitet: Om journalistik som resurs för politisk kommunikation i sociala medier
|
2018
|
Jono Van Belle
|
Athique, A.: Transnational audiences. Media reception on a global scale
|
2018
|
Tindra Thor
|
Painting the City: Performative Cosmopolitanism and the Politics of Space and Art
|
2018
|
Lauren Downing Peters
|
Stoutwear and the Discourses of Disorder: Constructing the Fat, Female Body in American Fashion in the Age of Standardization, 1915-1930
|
2018
|
Louise Wallenberg
|
Becoming-Animal, Becoming Free: Re-Reading the Animalistic in Fashion Photography
|
2018
|
Chiara Faggella
|
Lifestyle and fashion in Mario Camerini’s romantic comedies Il Signor Max and I Grandi Magazzini
|
2018
|
Elizabeth Castaldo Lundén
|
Exploring the Intersections of Fashion, Film, and Media
|
2018
|
Elizabeth Castaldo Lundén
|
Introduction: Exploring the Intersections of Fashion, Film, and Media Studies
|
2018
|
Ana Cristina Mendes,
John Sundholm
|
Transnational Cinema at the Borders: Borderscapes and the Cinematic Imaginary
|
2018
|
Kristoffer Noheden
|
Animace proti antropocentrismu: Decentralizace člověka u Jana Švankmajera
|
2018
|
Alessandro Bucci,
Chiara Faggella
|
Parallel universes: Fashion studies education today
|
2018
|
Louise Wallenberg
|
A Decade of Challenges and Possibilities: Establishing Fashion Studies at Stockholm University
|
2018
|
Anna Roosvall,
Andreas Widholm
|
The Transnationalism of Cultural Journalism in Sweden: Outlooks and Introspection in the Global Era
|
2018
|
Anna Roosvall,
Matthew Tegelberg
|
Media and Transnational Climate Justice: Indigenous Activism and Climate Politics
|
2018
|
Sigurd Allern,
Ester Pollack
|
Svängdörrarnas förlovade land: Lobbyismens betydelse för klassamhällets eliter
|
2018
|
Jono Van Belle
|
Book review: Screening the Sixties. Hollywood cinema and the politics of memory
|
2018
|
Elizabeth Castaldo Lundén
|
Oscar Night in Hollywood: Fashioning the Red-Carpet from the Roosevelt Hotel to International Media
|
2018
|
Sigurd Allern,
Ester Pollack
|
Disclosure of Scandinavian telecom companies' corruption in Uzbekistan: The role of investigate journalists
|
2018
|
Anja Hirdman
|
Känslofyllda rum: Den mediala socialiteten - att titta och beröras
|
2018
|
Gunnar Nygren,
Andreas Widholm
|
Changing Norms Concerning Verification: Towards a relative truth in online news?
|
2018
|
Kristoffer Noheden
|
Begärsfantomer: Vítězslav Nezval, Valérie och det underbara
|
2018
|
Gert Jan Harkema
|
Henri Grünkorn: een geschiedenis van spektakel op de kermis voor de ‘Electrische Kinematograaf’
|
2017
|
Kristoffer Noheden
|
Animating Imaginary Animals: Jan Švankmajer, Surrealism, and Dark Ecology
|
2017
|
Kristoffer Noheden
|
The Grail and the Bees: Leonora Carrington’s Quest for Human–Animal Coexistence
|
2017
|
LG Andersson,
John Sundholm
|
The Cultural Practice of Minor Cinema Archiving: The Case of Immigrant Filmmakers in Sweden
|
2017
|
Torkild Thanem,
Louise Wallenberg
|
Beyond Fashion’s Alluring Surface
|
2017
|
Heiki Hellman,
Nete Nørgaard Kristensen,
Kristina Riegert
|
Cultural Mediators Seduced by Mad Men: How Cultural Journalists Legitimized a Quality TV Series in the Nordic Region
|
2017
|
Greta Gober
|
Imbalance and Glass Ceilings: Gendered aspects of the media landscape in the v4 reveal inequality is rife.
|
2017
|
Maaret Koskinen
|
Ingmar Bergman y sus primeros escritos: En el principio era la palabra (översättning Rosario Garnemark)
|
2017
|
Maaret Koskinen,
Louise Wallenberg
|
Harry bit för bit: Harry Scheins många ansikten
|
2017
|
Eugenia Paulicelli,
Louise Wallenberg
|
Introduction
|
2017
|
Louise Wallenberg
|
Mago’s Magic: Fashioning Sexual (In)difference in Bergman’s 1960s Cinema
|
2017
|
Kristoffer Noheden
|
Esotericism and Surrealist Cinema: Wilhelm Freddie's Films and the New Myth
|
2017
|
Ester Pollack
|
Journalism as a public good: A Scandinavian perspective
|
2017
|
Astrid Gynnild,
Anne Hege Simonsen,
Maria Nilsson,
et al.
|
Introduction: Introduction to special issue on photojournalism and editorial processes
|
2017
|