Author |
Title |
Year |
John Sundholm
|
The Time of Our Lives
|
2021
|
Andreas Widholm
|
Dramatiska och utmattande: Nio månader av Corona-nyheter i sociala medier
|
2021
|
Alexa Robertson
|
What’s Happened to Global News?
|
2021
|
Joel Frykholm
|
Netflix, HBO Nordic, and “Glocalized” TV Series: The View from Sweden
|
2021
|
Mattias Ekman,
Michał Krzyżanowski, Mattias Ekman, Per-Erik Nilsson. Mattias Gardell & Christian Christensen
|
Uncivility, Racism, and Populism: Discourses and interactive practices in anti- & post-democratic communication
|
2021
|
Mattias Ekman,
Michal Krzyzanowski
|
A populist turn?: News editorials and the recent discursive shift on immigration in Sweden
|
2021
|
John Sundholm
|
Finland Returning to War on Screen: The Unknown Soldier of 2017
|
2021
|
Marina L. Dahlquist,
Patrick Vonderau
|
Petrocinema: Sponsored Film and the Oil Industry
|
2021
|
Joel Frykholm
|
Renegotiating Quality TV in the Swedish Press: American Serial Television and Sweden's Post-Monopoly Television Landscape
|
2021
|
Malin Wahlberg
|
Los Angeles som fillmisk dröm
|
2021
|
Ester Pollack
|
Medierna och brottsjournalistiken
|
2021
|
Kristina Riegert
|
Negotiating Boundaries in a Changing Media Ecosystem: The Case of Swedish Cultural Journalism
|
2021
|
Sigurd Allern,
Ester Pollack
|
Svängdörrarnas förlovade land: Lobbyismens betydelse för klassamhällets eliter
|
2021
|
Nete Nørgaard Kristensen,
Anna Roosvall
|
Cultural Communication as Political Communication
|
2021
|
Sigurd Allern,
Mark Black–Ørsten,
Anu Kantola,
et al.
|
Development, trends and challenges in Nordic political journalism
|
2021
|
Jörgen Rahm-Skågeby
|
We interrupt this program: on the cultural techniques of ’technical difficulties’
|
2021
|
Kristoffer Noheden
|
Magic Language, Esoteric Nature: Rikki Ducornet’s Surrealist Ecology
|
2021
|
Paula von Wachenfeldt
|
Rational Follies. Fashion, Luxury and Credit in Eighteenth-Century Paris: Fashion, Luxury and Credit in Eighteenth-Century Paris
|
2021
|
Elizabeth Castaldo Lundén
|
Exploring Fashion as Communication: The search for a new fashion history against the grain
|
2020
|
Kristoffer Noheden
|
Handsken i labyrintens mitt: Nadja och den dokumentära surrealismen
|
2020
|
Sigird Allern,
Ester Pollack
|
"Is something rotten" in the welfare states of Scandinavia?: Nordic scandals from a Shakespearean perspective
|
2020
|
Anna Roosvall,
Matthew Tegelberg
|
Introduction to climate justice communication
|
2020
|
Anna Roosvall,
Matthew Tegelberg
|
The importance of the matters, geographies, and mediations of justice
|
2020
|
Ester Appelgren,
Andreas Widholm
|
A softer kind of hard news?: Data journalism and the digital renewal of public service news in Sweden
|
2020
|
Maria Jansson,
Ingrid Stigsdotter,
Louise Wallenberg,
et al.
|
Studying Women in Swedish film production: methodological considerations
|
2020
|
Kristoffer Noheden
|
Against All Aristocracies: Surrealism, Anarchism, and Film
|
2020
|
Joel Frykholm
|
“The Not-So-Golden Age of Swedish Silent Cinema? Historiographies of Isepa (1926–1928).”
|
2020
|
Malin Wahlberg
|
Dokumentära spår
|
2020
|
Jonathan Rozenkrantz
|
Videographic Cinema: An Archaeology of Electronic Images and Imaginaries
|
2020
|
Elizabeth Castaldo Lundén
|
Fearless Fashion: Rudi Gernreich.
|
2020
|
Maaret Koskinen
|
”Hur Rolf blev Lassgård. En skådespelares persona och den svenska självbilden i närhistoriskt perspektiv”
|
2020
|
Ester Pollack
|
Brottslighet och namnpublicering
|
2020
|
Kim Khavar Fahlstedt
|
Chinatown Film Culture: The Appearance of Cinema in San Francisco's Chinese Neighborhood
|
2020
|
Joel Frykholm
|
Critical Thinking and the Humanities: A Case Study of Conceptualizations and Teaching Practices at the Section for Cinema Studies at Stockholm University
|
2020
|
Greta Gober
|
With Eyes Wide Open: Gender Equality in the Polish Film Industry
|
2020
|
John Sundholm
|
Filmaren Jan Bark: En mindre filmhistoria på 8 mm
|
2020
|
Kim Khavar Fahlstedt
|
Prologue to Hollywood: Sid Grauman and the San Francisco Origins of Tinseltown Spectacle
|
2020
|
Maria Nilsson
|
Visualizing the Experience of Flight: Photojournalistic Portraits and Refugee Migration
|
2020
|
Sigurd Allern,
Ester Pollack
|
The Role of Think Tanks in the Swedish Political Landscape
|
2020
|
Louise Wallenberg
|
Facing the Queer Migrant in Swedish Noir
|
2020
|
Ester Appelgren,
Andreas Widholm
|
Mellan det hyperlokala och globala: Journalistikens förändringar och utmaningar i en digital tid: Vänbok till Gunnar Nygren
|
2020
|
Ester Appelgren,
Andreas Widholm
|
Myten om datajournalistik
|
2020
|
Maaret Koskinen
|
“Anticipating Adaptation and Tracing the (In)Visible: David Lagercrantz’ The Girl in the Spider’s Web as Implicit Film Script”
|
2020
|
Louise Wallenberg
|
Men in Boots: On Spectacular Masculinity and Desublimation
|
2020
|
Ester Pollack
|
As the Holocaust escalated the Swedish press fell silent:: media and the normalisation of passivity and non-engagement in WWII Sweden
|
2020
|
Doron Galili
|
“A More Participatory Culture” An Afterword to the Hebrew edition and a conversation with Henry Jenkins
|
2020
|
Florencia Enghel,
Anna Roosvall,
Matthew Tegelberg
|
Media and climate migration: Transnational and local reporting on vulnerable island communities
|
2020
|
Greta Gober
|
Gender and age inequalities in television and news production culture in Poland: Ethnography in a public broadcasting company.
|
2020
|
Miyase Christensen
|
Cosmopolitanism in the Antropocene (with a postscript on the Coronavirus): -
|
2020
|
Doron Galili
|
Seeing by Electricity: The Emergence of Television, 1878-1939
|
2020
|
Maria Jansson,
Louise Wallenberg
|
Experiencing Male Dominance in Swedish Film Production
|
2020
|
Mattias Ekman
|
Social media racism: affective circulation and cultures of fear. A reply to Søren Mosgaard Andreasen
|
2020
|
Malin Wahlberg
|
Memory, history, and forgetting: Knowledge production and commemoration in the films by Susana de Sousa Dias
|
2020
|
Joel Frykholm,
Marina L. Dahlquist
|
The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s
|
2020
|
Miyase Christensen
|
Cosmopolitanism in the Anthropocene: -
|
2020
|
Louise Wallenberg
|
Art, Life and the Fashion Museum: For A more Solidarian Exhibition Practice
|
2020
|
Caroline Lindroth,
Carl Mikael Carlsson,
Marie Tengroth Ulväng,
et al.
|
Domböcker
|
2020
|
Örjan Kardell,
Jonas Lindström,
Marie Tengroth Ulväng
|
Platsen, tiden, människorna
|
2020
|
Mattias Ekman
|
Anti-immigration and racist discourse in social media.
|
2019
|
Anja Hirdman
|
Digital Sociality: Groups and the emotional imprint of algorithmic patterns
|
2019
|
Malin Wahlberg
|
Med kameran som vapen och vittnesmål: Frihetskampen på SR/TV
|
2019
|
Joel Frykholm
|
George Kleine and the Institutional Film Exchange: An Experiment in Nontheatrical Film Distribution, 1921–1929
|
2019
|
Joel Frykholm,
Marina L. Dahlquist
|
Introduction
|
2019
|
Mattias Ekman
|
Anti-Immigrant Sentiments and Mobilization on the Internet.
|
2019
|
Jan Fredrik Hovden,
Kristina Riegert
|
Identity, Empathy and Argument:: Immigrants in Culture and Entertainment Journalism in the Scandinavian Press
|
2019
|
Ester Pollack
|
Sweden and the #Metoo movement
|
2019
|
Elizabeth Castaldo Lundén
|
Användningen av digitala arkiv inom humaniora
|
2019
|
Kim Khavar Fahlstedt
|
Charlie Chan’s Last Mystery, or, the Transcultural Disappearance of Warner Oland
|
2019
|
Louise Wallenberg
|
Let us roam the night together: Articulation and Representation in Tongues Untied and Moonlight
|
2019
|
Mattias Ekman
|
Journalistiken och nyhetskällorna
|
2019
|
Kristina Riegert,
Anna Roosvall,
Andreas Widholm
|
Abundance or crisis?: Transformations in the media ecology of Swedish cultural journalism over four decades
|
2019
|
Sigurd Allern,
Ester Pollack
|
Källkritik! Journalistik i lögnens tid
|
2019
|
Kioko Ireri, Njoki Chege, Joy Kibarabara & Don Bosco Onyalla,
Joy Kibarabara
|
Frame Analysis: Newspaper Coverage of Kenya's Oil Exploration in the Post-2012 Discovery Era
|
2019
|
Doron Galili
|
Book Review: “Bright Signals: A History of Color Television,” 32 (July 2019).
|
2019
|
Torkild Thanem,
Louise Wallenberg
|
’One should always be able to do something’: Social Engineering and Organization in the Family Politics of Alva Myrdal
|
2019
|
Andreas Widholm
|
Transnational News Consumption and Digital Content Mobility: Insights from Sweden
|
2019
|
Joel Frykholm
|
Förbättringar av stödsystemet för uppsatsskrivande inom ramen för Master's Program in Cinema Studies vid Stockholms universitet: (Rapporter om undervisning och lärande i högre utbildning 2019:6)
|
2019
|
Kristina Riegert,
Andreas Widholm
|
The Difference Culture Makes: Comparing Swedish news and cultural journalism on the 2015 terrorist attacks in Paris
|
2019
|
Maaret Koskinen
|
Ingmar Bergman - minne, arkiv, arkeologi
|
2019
|
Anja Hirdman
|
Kön, källor och ämnen i nyhetsjournalistiken
|
2019
|
Anna Roosvall,
Andreas Widholm
|
Allt mer tolkande journalistik: Subjektivitet, åsikter och känslor i nyhetsmedierna
|
2019
|
Miyase Christensen,
Annika E. Nilsson
|
Arctic Geopolitics, Media and Power
|
2019
|
Maria Nilsson
|
An Ethics of (Not) Showing: Citizen witnessing, Journalism and Visualizations of a Terror Attack
|
2019
|
Paula von Wachenfeldt
|
Communicating Seduction. Luxury fashion advertisements in video campaigns
|
2019
|
Malin Wahlberg
|
Passageraren, eller hur jag tycker det är att resa
|
2019
|
Maaret Koskinen
|
Fil(m)osofiska valfrändskaper. Eric M. Nilsson och Lars Gyllensten
|
2019
|
Malin Wahlberg
|
'Beyond the Witness:: Holocaust Representation and the Testimony of Images' Book Review
|
2019
|
Greta Gober,
Justyna Struzik
|
Feminist transnational diaspora in the making. The case of the #BlackProtest
|
2019
|
Paula von Wachenfeldt
|
The Mediation of Luxury Brands in Digital Storytelling
|
2019
|
Liudmila Voronova,
Andreas Widholm
|
Broadcasting Against the Grain: The Contradictory Roles of RT in Global Media Age
|
2019
|
Lars Gustaf Andersson,
John Sundholm
|
The Cultural Practice of Immigrant Filmmaking: Minor Immigrant Cinemas in Sweden 1950-1990
|
2019
|
Jonathan Rozenkrantz
|
Electronic Labyrinths: An Archaeology of Videographic Cinema
|
2019
|
Elizabeth Castaldo Lundén,
Chiara Faggella
|
Editorial Foreword
|
2019
|
Sigurd Allern,
Ester Pollack
|
New Nordic Noir: Political Scandals as Drama and Media Hunts
|
2019
|
Louise Wallenberg
|
Костюмы у Бергмана: очевидный гендер, неясный пол
|
2019
|
Louise Wallenberg
|
Десятилетие вызовов и возможностей. Становление теории моды в Стокгольмском университете
|
2019
|
Maaret Koskinen
|
‘Time, memory and actors: Representation of ageing in recent Swedish feature film’
|
2019
|
Chiara Faggella
|
Reviews: Film, Fashion, and the 1960s, Eugenia Paulicelli, Drake Stutesman and Louise Wallenberg (eds) (2017)
|
2019
|
Jörgen Rahm-Skågeby
|
Critical incidents in everyday technology use: exploring digital breakdowns
|
2019
|
Kristoffer Noheden
|
Myth
|
2019
|