Author |
Title |
Year |
Mattias Ekman
|
The great replacement: Strategic mainstreaming of far-right conspiracy claims
|
2022
|
Kristoffer Noheden
|
Modern Minotaurs: Surrealism, Myth, and Magic in the 1930s
|
2022
|
Marie Tengroth Ulväng
|
Bondhustrun blir husmoder och gör rent hus. Hem och huslighetsideal i Härjedalen ca 1850–1900
|
2021
|
Johanna Annola,
Annelie Drakman,
Marie Tengroth Ulväng
|
Med tvål, vatten och flit. Hälsofrämjande renlighet som ideal och praktik ca 1870–1930
|
2021
|
Greta Gober,
Øystein Gullvåg Holter,
Lotta Snickare
|
Who is Publishing What? How Gender Influences Publication
|
2021
|
Ylva Elvin-Nowak,
Greta Gober,
Lotta Snickare
|
From Exception to Norm – the Development of Resilience in a Network
|
2021
|
Rebecca Bengtsson Lundin
|
Appearance and photographs of people in flight: A qualitative study of photojournalistic practices in spaces of (forced) migration
|
2021
|
Kristoffer Noheden
|
Marvelous Montage: Surrealism and Film
|
2021
|
Doron Galili
|
“Unreal Time: A Conversation on Film Theory, Media Historiography, and the Scales of Pandemic Catastrophe,” coauthored with Mary Ann Doane
|
2021
|
Maaret Koskinen
|
Involuntary Dogme restrictions: Orca and COVID-19 screen culture
|
2021
|
Kristoffer Noheden
|
Surrealist Cinema in the Anthropocene: Nelly Kaplan, Jan Švankmajer, and the Revolt of Animals
|
2021
|
Kerstin Brunnberg,
Göran Ellung,
Erik Palm,
et al.
|
Allt mindre tid för grävande journalistik
|
2021
|
Maria Jansson,
Louise Wallenberg
|
Introduction: On and Off Screen: Women's Work in the Screen Industries
|
2021
|
John Sundholm
|
History in the Making: Minor Immigrant Film Studies as Memory Activism
|
2021
|
Lina Rahm,
Jörgen Rahm-Skågeby
|
HCI and Deep Time: Towards Deep Time Design Thinking
|
2021
|
Kristoffer Noheden
|
Film
|
2021
|
Joel Frykholm
|
Binge-Watching and the Transformation of Quality Television
|
2021
|
Linn Lönroth
|
‘I don’t have a skull… Or bones’: Minor Characters in Disney Animation
|
2021
|
Risto Kunelius,
Anna Roosvall
|
Media and the Climate Crisis (introduction tro special issue)
|
2021
|
Jörgen Rahm-Skågeby
|
Re-presencing, re-containing, re-materializing music
|
2021
|
Kristoffer Noheden,
Abigail Susik
|
Surrealism and Film after 1945: Absolutely Modern Mysteries
|
2021
|
Marie Tengroth Ulväng
|
Clothing Economy and Clothing Culture: The Nineteenth-Century Farm Wardrobe in a Gendered Perspective
|
2021
|
Mattias Ekman
|
Interaktiv rasism på internet, i pressen och politiken
|
2021
|
Saki Kobayashi
|
‘Battleship Femininity’ deconstructed: Unmasking the myth of Eva Dahlbeck and Ingmar Bergman
|
2021
|
Elizabeth Castaldo Lundén
|
Fashion on the Red Carpet: A History of the Oscars, Fashion and Globalisation
|
2021
|
Kristoffer Noheden,
Abigail Susik
|
Sorprendente hallazgo (Chance Find): Alan Glass and Contemporary Surrealism in Mexico
|
2021
|
Kristoffer Noheden
|
Nature, Mechanically Reproduced: Surrealist Film and Photograpy Between the Wars
|
2021
|
Marie Tengroth Ulväng
|
Tea, Coffee or Printed Cotton? Farm Households' Consumption of Goods in Northern Sweden, 1760–1820
|
2021
|
Maria Jansson,
Louise Wallenberg
|
Negotiating motherhood in Sweden: On and Off Screen
|
2021
|
Joel Frykholm
|
From the Extraordinary to the Everyday: Discourses on American Quality Serial Television in Sweden’s Leading Newspapers and the Breakthrough of Streaming TV
|
2021
|
Anders Carlsson,
Jörgen Rahm-Skågeby
|
The archive and the scene: on the cultural techniques of retrocomputing databases
|
2021
|
Marie Tengroth Ulväng
|
"En såffa något kostbar": Snickarna, möblerna och hushållen i västra Härjedalen 1780-1870
|
2021
|
John Sundholm
|
The Time of Our Lives
|
2021
|
Andreas Widholm
|
Dramatiska och utmattande: Nio månader av Corona-nyheter i sociala medier
|
2021
|
Torkild Thanem,
Louise Wallenberg
|
The Humanities Are Not Our Patient
|
2021
|
Alexa Robertson
|
What’s Happened to Global News?
|
2021
|
Joel Frykholm
|
Netflix, HBO Nordic, and “Glocalized” TV Series: The View from Sweden
|
2021
|
Mattias Ekman,
Michał Krzyżanowski, Mattias Ekman, Per-Erik Nilsson. Mattias Gardell & Christian Christensen
|
Uncivility, Racism, and Populism: Discourses and interactive practices in anti- & post-democratic communication
|
2021
|
Mattias Ekman,
Michal Krzyzanowski
|
A populist turn?: News editorials and the recent discursive shift on immigration in Sweden
|
2021
|
John Sundholm
|
Finland Returning to War on Screen: The Unknown Soldier of 2017
|
2021
|
Marina L. Dahlquist,
Patrick Vonderau
|
Petrocinema: Sponsored Film and the Oil Industry
|
2021
|
Joel Frykholm
|
Renegotiating Quality TV in the Swedish Press: American Serial Television and Sweden's Post-Monopoly Television Landscape
|
2021
|
Malin Wahlberg
|
Los Angeles som fillmisk dröm
|
2021
|
Olivia Eriksson
|
Gallery Experience: Viewers, Screens and the Space In-Between in Contemporary Installation Art
|
2021
|
Nadi Tofighian
|
In Search of "The Edison Biograph Company": Film History through Philippine Archives
|
2021
|
Ester Pollack
|
Medierna och brottsjournalistiken
|
2021
|
Kristina Riegert
|
Negotiating Boundaries in a Changing Media Ecosystem: The Case of Swedish Cultural Journalism
|
2021
|
Sigurd Allern,
Ester Pollack
|
Svängdörrarnas förlovade land: Lobbyismens betydelse för klassamhällets eliter
|
2021
|
Nete Nørgaard Kristensen,
Anna Roosvall
|
Cultural Communication as Political Communication
|
2021
|
Maria Jansson,
Frantzeska Papadopoulou,
Ingrid Stigsdotter,
et al.
|
The Final Cut
|
2021
|
Sigurd Allern,
Mark Black–Ørsten,
Anu Kantola,
et al.
|
Development, trends and challenges in Nordic political journalism
|
2021
|
Jörgen Rahm-Skågeby
|
We interrupt this program: on the cultural techniques of ’technical difficulties’
|
2021
|
Kristoffer Noheden
|
Magic Language, Esoteric Nature: Rikki Ducornet’s Surrealist Ecology
|
2021
|
Paula von Wachenfeldt
|
Rational Follies. Fashion, Luxury and Credit in Eighteenth-Century Paris: Fashion, Luxury and Credit in Eighteenth-Century Paris
|
2021
|
Elizabeth Castaldo Lundén
|
Exploring Fashion as Communication: The search for a new fashion history against the grain
|
2020
|
Kristoffer Noheden
|
Handsken i labyrintens mitt: Nadja och den dokumentära surrealismen
|
2020
|
Sigird Allern,
Ester Pollack
|
"Is something rotten" in the welfare states of Scandinavia?: Nordic scandals from a Shakespearean perspective
|
2020
|
Anna Roosvall,
Matthew Tegelberg
|
Introduction to climate justice communication
|
2020
|
Anna Roosvall,
Matthew Tegelberg
|
The importance of the matters, geographies, and mediations of justice
|
2020
|
Doron Galili
|
“A Conversation with Henry Jenkins,” (Autumn 2020)
|
2020
|
Ester Appelgren,
Andreas Widholm
|
A softer kind of hard news?: Data journalism and the digital renewal of public service news in Sweden
|
2020
|
Maria Jansson,
Ingrid Stigsdotter,
Louise Wallenberg,
et al.
|
Studying Women in Swedish film production: methodological considerations
|
2020
|
Doron Galili
|
“The Pasts and Prospects of Media Archaeology,” coauthored with Erkki Huhtamo
|
2020
|
Doron Galili
|
“Media Archaeology,” coedited with Erkki Huhtamo, special issue of Early Popular Visual Culture
|
2020
|
Kristoffer Noheden
|
Against All Aristocracies: Surrealism, Anarchism, and Film
|
2020
|
Joel Frykholm
|
“The Not-So-Golden Age of Swedish Silent Cinema? Historiographies of Isepa (1926–1928).”
|
2020
|
Malin Wahlberg
|
Dokumentära spår
|
2020
|
Jonathan Rozenkrantz
|
Videographic Cinema: An Archaeology of Electronic Images and Imaginaries
|
2020
|
Elizabeth Castaldo Lundén
|
Fearless Fashion: Rudi Gernreich.
|
2020
|
Ole Johnny Fossås
|
Excavating “Arrival of a Train”: A Swedish Mining Company's Useful Attractions
|
2020
|
Maaret Koskinen
|
”Hur Rolf blev Lassgård. En skådespelares persona och den svenska självbilden i närhistoriskt perspektiv”
|
2020
|
Ester Pollack
|
Brottslighet och namnpublicering
|
2020
|
Kim Khavar Fahlstedt
|
Chinatown Film Culture: The Appearance of Cinema in San Francisco's Chinese Neighborhood
|
2020
|
Joel Frykholm
|
Critical Thinking and the Humanities: A Case Study of Conceptualizations and Teaching Practices at the Section for Cinema Studies at Stockholm University
|
2020
|
Greta Gober
|
With Eyes Wide Open: Gender Equality in the Polish Film Industry
|
2020
|
John Sundholm
|
Filmaren Jan Bark: En mindre filmhistoria på 8 mm
|
2020
|
Kim Khavar Fahlstedt
|
Prologue to Hollywood: Sid Grauman and the San Francisco Origins of Tinseltown Spectacle
|
2020
|
Maria Nilsson
|
Visualizing the Experience of Flight: Photojournalistic Portraits and Refugee Migration
|
2020
|
Sigurd Allern,
Ester Pollack
|
The Role of Think Tanks in the Swedish Political Landscape
|
2020
|
Louise Wallenberg
|
Facing the Queer Migrant in Swedish Noir
|
2020
|
Ester Appelgren,
Andreas Widholm
|
Mellan det hyperlokala och globala: Journalistikens förändringar och utmaningar i en digital tid: Vänbok till Gunnar Nygren
|
2020
|
Ester Appelgren,
Andreas Widholm
|
Myten om datajournalistik
|
2020
|
Maaret Koskinen
|
“Anticipating Adaptation and Tracing the (In)Visible: David Lagercrantz’ The Girl in the Spider’s Web as Implicit Film Script”
|
2020
|
Louise Wallenberg
|
Men in Boots: On Spectacular Masculinity and Desublimation
|
2020
|
Ester Pollack
|
As the Holocaust escalated the Swedish press fell silent:: media and the normalisation of passivity and non-engagement in WWII Sweden
|
2020
|
Linn Lönroth
|
“Certainly No Clark Gable” – Reflections on the Journalistic Discourse about Hollywood Character Actors, ca. 1915-1949
|
2020
|
Doron Galili
|
“A More Participatory Culture” An Afterword to the Hebrew edition and a conversation with Henry Jenkins
|
2020
|
Florencia Enghel,
Anna Roosvall,
Matthew Tegelberg
|
Media and climate migration: Transnational and local reporting on vulnerable island communities
|
2020
|
Greta Gober
|
Gender and age inequalities in television and news production culture in Poland: Ethnography in a public broadcasting company.
|
2020
|
Miyase Christensen
|
Cosmopolitanism in the Antropocene (with a postscript on the Coronavirus): -
|
2020
|
Doron Galili
|
Seeing by Electricity: The Emergence of Television, 1878-1939
|
2020
|
Maria Jansson,
Louise Wallenberg
|
Experiencing Male Dominance in Swedish Film Production
|
2020
|
Mattias Ekman
|
Social media racism: affective circulation and cultures of fear. A reply to Søren Mosgaard Andreasen
|
2020
|
Malin Wahlberg
|
Memory, history, and forgetting: Knowledge production and commemoration in the films by Susana de Sousa Dias
|
2020
|
Joel Frykholm,
Marina L. Dahlquist
|
The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s
|
2020
|
Miyase Christensen
|
Cosmopolitanism in the Anthropocene: -
|
2020
|
Louise Wallenberg
|
Art, Life and the Fashion Museum: For A more Solidarian Exhibition Practice
|
2020
|
Caroline Lindroth,
Carl Mikael Carlsson,
Marie Tengroth Ulväng,
et al.
|
Domböcker
|
2020
|
Örjan Kardell,
Jonas Lindström,
Marie Tengroth Ulväng
|
Platsen, tiden, människorna
|
2020
|
Mattias Ekman
|
Anti-immigration and racist discourse in social media.
|
2019
|